Sunday, May 2, 2010

Hearth and Home with Soup

The Picture
Sitting on the futon in the living room, I am writing this post and sipping tea. It's quiet now after Sunday night's meal of soup and pizza.

The Images
The futon in the living room
I am
Sipping tea
It's quiet
Soup

The stories

The futon in the living room is a great new place to hide things, according to Prisca. Until this morning it was the extra bed in the extra room, the office with the aging computer whose binary beeping to itself creeps me out. It could not have been sat or slept upon without folding up the ironing board, a permanent admonition to iron a shirt or two, or press a seam on a sewing project in progress. Usually the futon was in its upright position, its stylish fake black leather upholstery set off by a folded tan cotton blanket and a kilim cushion which I breathlessly found in the as-is department at IKEA-- I've been coveting these since falling in love with the bohemian apartment of Mary Tyler Moore's neighbor Rhoda. Very occasionally it would be unfolded down to a bed, like when the twins came for a week. But now the futon is in the living room where my studio was until this morning. Now the living room seats at least five people, and I can invite guests like my Newcomer friends to visit, stitch and share inspiration.

I am still an artist, but since moving here last June and immediately setting up my studio in the living room where the patio doors to the minuscule balcony provide ample natural light, I have not used the studio. Since coming to Saskatoon I seem to be reluctant to resume this identity: the professional portrait artist with three to seven paintings a month as normal output. Having moved out of The Studio in Saint Albert to spend nearly two years in Peru, now my only real connection to art has been my nearly weekly painting excursions with L, driving out into the country to the perfect road with ponds, hills and shrubs to sketch from nature. That has never been one of my fortes. I am a studio artist, counting on controlled lighting, and subject matter that poses or that lies good and morte for hours. I love subjects that have mass and gesture, as well as noses, eyes and mouths, that connect their gaze with the viewer. The country lane does none of that. Its sharp winds tease amid shifting light, limitless vistas, and lacy shrubbery leafless the last six months, and impossible to describe in terms of volume. So now the studio is in the stuffy little office, crammed next to the pathetically beeping computer. Maybe the cramped space will be more conducive to the necessarily hermit-like activity of making art. It will be about the same dimensions and discomfort level of my shared space in the Studio. But I will still be missing my daily contact with my fellow artists.


Sipping tea, I swirl the last drops of heavy liquid in the bottom of the cup. I dissolved a scoop of Isa-something in hot water as a soothing before bed drink. It is very high in all the B vitamins, and has a pleasant herbal and molasses sweetness. I started using Isagenix nutritional products about a year ago at my daughter's urging, somewhat reluctantly and to make her feel better. But I've found I've been able to lose the weight I wanted and to maintain it by using the shakes for breakfast and doing a cleanse with their herbal stuff once a week. A week or so ago it was my birthday. On the phone, my daughter's voice goobled and snorted, heavy with allergies. I sympathized, my allergies typically kicking in by the third week of April, as the last of the snow withdraws and the first fresh green things establish their presence with some conviction. I told her I expected mine to hit any time now, due to a supposed lag in seasons between Alberta and Saskatchewan. Secretly though I was surprised I wasn't already snuffling with running eyes after sitting out painting for two hours on The Road the previous Tuesday. K said, "You know, Mom, you probably won't get much of anything because of all the cleansing you're doing". Before having her baby, she would cleanse religiously too, and her eczema and allergies-- pollen, apples, potatoes, peaches, etc-- would virtually disappear. With breast-feeding now, that wasn't an option though. Sure enough, I'm enjoying April and now the beginning of May with only the rarest sneeze! I am happy and grateful because spring, this rarest of seasons, is the most precious to me. I thrill to the suspenseful burgeoning buds on the trees, the rarefied colours of blossoms in the pearly grey trees, and then the shimmer of delicate green buds on wet black branches, soaked from the first rain. The air has the freshness of crisp clean laundry when I open the windows wide to void the stale winter air from the rooms. I am so grateful for all this, that it is the one season that I count in terms of the number of years remaining to me. They seem so small when I count the precious Aprils.


It's quiet now, after supper. The kids have left to go back to their own apartment. Yes, we now have our son A and his wife J living in town! They have been so far away as we have been too, I guess. They arrived Friday night and moved into their place yesterday. I never knew how I loved my family! I feel this sacred joy at the reunion, and it was the same during the time I spent with my daughter's family last month. Increasing the capacity of the living room to hold people was a symbolic gesture of opening the heart. The hole is filled, the city--the apartment -- feels like a home. P and I occupy the space with serenity that though quiet is filled with heart song.


Soup of the evening, beautiful beautiful soup! My Mother could make soup out of anything. When she was on a roll, we would have a different soup every night for two weeks, or perhaps a soup two or three days running but it would never be the same, as it was stretched creatively, subtly each day. Perhaps she made a lot of soup because food was expensive and we had to stretch it sometimes. But I believe she made soup because of a religious beauty that making soup has. Having learned many cooking secrets from her, I inherited the compulsion to collect the meal's chicken bones, skin etc. and promptly boil them in a bath of onions and herbs. I would then strain it all, then sort the tidbits of meat from the pile, separating based on sight and touch. Meat has a velvety feel unlike grease or tendon. Mom and I are scrupulous about separating all the meat and avoiding anything gristly or fatty. The exception may be the odd tiny bone that comes from the ribcage, where the delicate intercostal muscles are a delicacy, but very hard to separate from the bones. I know it is barely worth the effort to work at the ribcage of a small bird, but the lessons run deep. Mom would explain to me how every bit of the chicken or other animal has uses, and on a farm in the old days it would all get used. First the roast for a meal, then the leftover cold meat. Then the boiling for soup. The fat, skin and so on would be fed as a delicacy to the dog and cat. The bones can be reboiled for a second weaker but useful stock. By then the bones are dissolving, and can be ground to meal for the chickens and pigs. In my mind the circle continues, and the days where necessity dictates the scrupulous use of food are never far away. I have taught K to make this soup, and in her days in Davenport while B went to school, and they and the twins needed to be fed for very little, a chicken would carry them over for days.
Thank you Mom for this gift of soup.

Thursday, April 15, 2010

Lost in the Ether

The picture:
I am at the computer, having written my second post in Word. I go to cut and paste it into this space, but it comes out gobbledygook. I find out I can post directly from Word if I register, but nothing I do allows that to happen. I do not post for two weeks (or has it been more?)

The stories:
I am at the computer
My second post

I am at the computer again. This takes some doing, as I am easily intimidated by unexpected glitches. If I have tried and failed to fix my problem, the frustration makes me hot flash violently. Like now, I do not have a cursor, and that is confusing. I don't see where I am, ...wow, suddenly I have my cursor back, and I feel like I'm back on Terra Firma. Does anyone else lose theirs when writing a post?

My second post is really my third. Several years ago I decided to start a blog when I moved to Peru with P. I posted a picture, a very brief and stilted bit of description, and never posted again. I can't accept that there was nothing to write about, and my intentions were sound: I felt if I blogged I would more fully savour my new life over there. I did savour it , and allowed it to wash over me and insinuate it into my pores. I learned the language, how to cook like a Peruvian, acquired my dog Prisca, made friends, and sometimes felt just a little lost and intimidated. On those days I didn't even think of writing, and on the good days I didn't even think of writing.

I am at the computer again. The thousand stories attached to each picture must be their own reason for for being written about. Conquering my reticence is part of the reason for coming back to the blogosphere. Somewhere inside lurks a little bit of a writer, whose mental jabbering while doing something or nothing at times contains the grain of an idea worth sharing. When my children were watching Sesame Street many years ago, I walked into the living room in time to see a sketch about a Mom who practiced playing the piano, painted the living-room walls, cooked something marvelous and built an engine, I think. I was shocked and charmed, because except for building the engine it was exactly the kind of day I was having! What is the use of being a renaissance person if you can't share the excitement when the multiple dimensions of your life collide and collude.

Saturday, March 27, 2010

Sitting in the dishwasher

This is the picture:
I am sitting on a small stool in front of the open dishwasher, brandishing a muffin. I notice one of my feet is too warm, so I take off my slipper and remove the sock.

The stories:
I am
the small stool
the open dishwasher
the muffin
the slipper
the sock

I am Susanne, an artist, homemaker, mother of a grown son A. and daughter K., and grandmother of four to date, among other things. I live variously in Saskatoon with my husband P. and dog Prisca, and in Saint Albert with my daughter K. and her family. I come from an army family, where my photographer father was transferred around Europe, within Canada and did tours in Cyprus and the Middle East. My German born mother is an artist, and is the embodiment of culture. My brother A. is a plumber/gas-fitter and graduated rock musician. Within this family, I moved every year or three until high school, had a passion for horses and art, and developed a taste for punful abuse of language(s). With my husband P. I travel no less, to his homeland Greece, to Bulgaria, Poland and Peru as work requires. I sketch as inspiration and self discipline allow, and try to immerse in the land and food of whichever place I am in.

The small stool is a battered little antique with its original upholstery on a top not screwed down. I bought it in Saint Albert at Grandin Mall, from Bruce at "Tables and Chairs" Antiques. It is just a couple of doors down from "The Studio Gallery", my second home for 10 years, which will figure prominently in blogs to come. When I want to blow-dry Prisca after her bath, I take the upholstered top, place it over the bathroom sink, and she stands on it like at the groomers. Prisca comes from Peru, and is my ambassador.

The open dishwasher yawns emptily but grittily. I am trying to find the source of all the gritty scum left on the last load of dishes. Sure, a wooden spoon fell down to the bottom, but I don't think it was responsible for reduced action. So pliers in hand, (I know there's a more effective tool for these little hexagonal bolts, but not here) I remove the in filter and the out filter, but I'm not sure which one is which. One of them has a fine mesh, and I can see before I remove it that there is something suspicious inside. The other looks innocent from the outside, but when I remove it there is thick, rippling, greasy goo caked to the underside. I should get P. to take some to work and analyze it. Source of goo? My previous adventure with this machine was prompted by dissolved label adhesive, which left a delicate white shell on susceptible dishes. For breakfast I prepare shakes using flax seeds which can get pretty viscous if you let them soak. I cooked a salmon in the dishwasher last week. Last night I turned off the noisy machine while we ate, so maybe it took advantage of half an hour of dark moist warmth to spawn a new life form. Whatever the cause, I think we'll survive!

The muffin is a little stale, and I may be the only one eating this batch because I know what is in it. It tastes a little heavy in a branny way. Sort of like what my little friend's dad in Germany used to feed his pigs ("Get out of the barn!"). I have a passion for invented recipes, mainly invented from food that's "got to be used up". This little vice of mine is one of the main reasons for starting this blog. I truly believe that leftovers are an invaluable resource, and in many ways superior to nice new packages from the store. My cooking takes place wherever I may be at the time which could be Greece, Peru, at my son's or daughter's. I travel some with P. My kids are inspired cooks. P. is famous for traditional Greek lamb preparations. I just don't like to throw anything out. I may be able to fix something you've made that didn't quite meet expectations.

The slipper is heavy. It is made in Spain, and has rubber, leather and cork on the bottom, and heavy grey wool felt for the top. It is shaped like a clog, and has a little strap with a buckle so I can make it fit. And I've made it fit in various way! I had searched until I found a slipper that could accommodate my orthopedic insoles without sliding out the back. The inside was somewhat contoured however, and set up a magnificent squeak when I walked. So after several weeks, complaints from family, and shopping, I found that two layers of felt (Fabricland), and a layer of thin foam (for machine embroidery, The Sewing Machine Store) has fixed the noise problem. They are comfortable, but were very ugly. So Michael's came to the rescue, with a set of opaque fabric markers. One day I acted on inspiration and doodled a very folksy design on them and have successfully made friends with them.

The sock is probably the reason I got up the courage to start the blog. I was only wearing one sock, you see, because the other was unwearable. I have just started knitting socks as a joint adventure with my painter friend L., so I am about ready to start sock number three which may need the sacrifice of number one to have enough wool. Then I should have a pair, as long as I remember what I did right and don't repeat what I did wrong. In the process of knitting I have discovered wonderful knitter's communities online, and help blogs. Prairie Lily Knitting and Weaving in Saskatoon have been our source of support.